Category Archives: Portrait

Arvada, CO | Documentary Portraits | Family Pumpkin Picking

Halloween is here again! I hope you have your pumpkin picked out.

Below are some documentary pictures from our pumpkin picking adventure this fall. The whole crew went over to my Mom and Dad’s place where Dad has a big garden with a small pumpkin patch. The kids all got to pick out a couple of pumpkins and there were still a few left over to give to some of the kid’s friends.

I really like these pictures for a few reasons… first is the light. We did this in the late afternoon, so the light was warm and directional, perfect for these kinds of pictures. If you are scheduling a family event that might provide good photo-ops, always try to take advantage of the light at the end of the day.

Another thing that I like about these pictures is the authenticity. Everyone looks real. Julie and Luke just got out of work, so they are wearing their work clothes. Dad is pretty much always dressed just like this – jeans, pocketed t-shirt and a big hat (in the winter he adds a flannel shirt). It’s the end of the day, so the kids hair and clothes are messy, and they have stuff all over their faces – just as you would expect. These pictures really document our family, not some idealized version, our real family.

This kind of authenticity is what I always strive for in my documentary portrait sessions – family fun, real locations, natural light, comfortable clothing – perfect. So if you have a family event coming up that could benefit from some authentic documentation, give me a call.

You can click on any of the images to see them larger. Enjoy…

Tech Info:
Late afternoon light
Nikon D70s
Nikon 35mm f2.0
Adobe Camera Raw

Arvada, CO | Documentary Portraits | Jaxon Playing Outside

This is Jaxon. He is truly a boy’s boy. He is happiest when he’s eating, sleeping, or playing outside. He loves to run through the rocks, weeds and grass. He loves to play with sticks. And most of all, he loves to push his jeep.

These are documentary portraits of Jaxon doing his thing. For this set of images, I really wanted to show him in his element, so we went outside in the morning, when the light is good, and before he has a chance to get tired and cranky. I pretty much just followed him around and waited for him to do something interesting. He didn’t need any direction, I would occasionally say his name, just to get him to look at the camera.

My camera selection was based on my desire to place Jaxon in context. I wanted it to be obvious that we were outside running around and playing. So I went old school – these were shot using an old fixed lens rangefinder camera from the 1970’s. Notice the soft corners in some of the images. That is one of the great things about using old film cameras and lenses, they each have their own unique look that can really add to the feel of the shots.

One thing I especially like about this particular camera is the fixed 40mm lens. It is close to a standard 50mm, but just enough wider to give more context to the images. However, it is not as wide as a 35mm, which can show distortion in portrait images. 40mm really seems to be the sweet spot, at least for me.

You can click on any of the images to see them larger. Enjoy…

Tech Info:
Canon Canonet QL17 GIII
Fixed 40mm f1.7 lens
Legacy Pro 400 (AKA Fuji Neopan 400)
Ilford Ilfotec DD-X (7min @ 20C)

Camera Scans
Sigma SD9
Sigma 50mm f2.8 Macro
Photosolve Xtend-a-Slide

Sterling, CO | Documentary Portraits | Bye Bye Summer

Last night, we had our first frost of the season here in the Denver metro area. I thought I would take the opportunity to look back at some fun documentary portraits from the summer. These were photographed at my grandmother’s house in Sterling, CO. The girls wanted to go out and play in the sprinkler and I wanted to get some pictures of them, so it worked out for everybody.

As you can see, they had a great time and I really like the pictures we were able to make. This was a great location for the shoot because I remember doing the same thing in the same location when I was a kid. It has meaning for me, so it adds something special to the images.

We had nice late afternoon light that I was able to use to rim-light the girls and back-light the water droplets. This makes for really interesting light in the images – soft on the skin and faces, but nice and contrasty on the edges and in the background. Also, because I was shooting black and white film, I was able to retain detail in the bright highlights and in the sky. If these same pictures had been shot on a digital camera, there is a good chance all of the highlight detail would have been lost.

The setting, the light, the “props”, the “wardrobe”, it all screams summertime and fun. This is what I go for in my documentary portrait shoots. Capturing a great memory, not just what the kids looked like at a certain moment in time.

You can click on any of the images to see them larger. Enjoy…

Tech Info:
Nikon F100
Nikon 50mm f1.4
Legacy Pro 400 (AKA Fuji Neopan 400)
Ilford Ilfotec DD-X Developer (7min @ 20C)

Camera Scan
Sigma SD9
Sigma 50mm f2.8 Macro
Photosolve Xtend-a-Slide

Northglenn, CO | Documentary Portraits | Playtime Pictures

Here are some fun documentary portraits from a trip with Molly to E.B. Rains Jr. Memorial Park in Northglenn, CO.  I really like these pictures because they feel authentic, with great expressions and an interesting environment that adds to the image. The pictures were captured using just the available light, with no posing necessary. I really prefer to work in this way, especially with kids. Interacting and moving around beats sitting and saying “cheese” every time.

To get kids looking at the camera, just wait until they have slowed down to focus on something (like playing the “piano” below) and then say their name. They will look over, and you can snap the picture before they realize what you are doing. Once they realize, they may put on the big fake smile, or look away. It depends on the kid… and the day.

You can click on any of the images to see them larger. Enjoy…

Tech Info:
Nikon D70s
Nikon 35mm f2
B&W conversion in Adobe Camera Raw 5

Westminster, CO | Self Portrait | Set-Up & Execution

The image at left is a recent self portrait. To give you some ideas about things to consider before a portrait shoot, I thought I would try to give you some insight into my thought process on setting up this shot, and details about the actual execution of the shoot.

To start, I am not crazy about the typical “photographer holding a camera while looking in the mirror” self portrait. It can be very limiting in terms of both location and lighting. Instead, I wanted a portrait in a real location using available light. This is my standard operating procedure for any other portrait, why should a self portrait be any different?

As a location, I chose the back deck on my home in Westminster, CO. My family and I spent a good portion of the early summer refurbishing and adding on to the deck, so I thought it would be an ideal location. The north end of the deck is only a few feet from my neighbor’s yard, so we put up six foot reed fencing along this railing to provide privacy. The reed fencing served as the background that you see in the image. Now, if a fence on the north end of the deck served as the background, that tells us that I was facing South when the image was exposed. Normally this wouldn’t be an ideal lighting situation. Fortunately, I planned ahead and shot this image in the late afternoon, and my house blocked the direct light from the sun. So I was lit by the open sky, and fill light was provided by the light gray walls of my house.

For wardrobe, I chose a medium blue shirt. I wanted something that would separate from the background, but would not be too dark and contrasty. Also, I had a haircut a couple days before the shoot. If I go too long without a haircut, my hair naturally grows to a point and it starts to look like I am trying for a mohawk.

For this self portrait, I knew that I wanted to use shallow depth of field to blur the background and draw attention to my eyes and face. To accomplish this, I decide to shoot the image digitally. Using the self timer to expose the image, and shooting film, I wouldn’t know if the pictures were in focus until I got the film back from the lab.

To create the image, I set up my Nikon D70s on a tripod with a 50mm f1.4 lens attached. I set the ISO to 200, the aperture to f1.4 and the shutter speed to 1/1600 of a second. In the shot, I am sitting in a chair and leaning forward on our patio table (the table is not visible). I pre-focused the lens on the edge of the table and then recomposed the shot to cut out the table and give some room above my head. Finally, I set the self timer for 10 seconds, pushed the shutter release and ran over to my chair and sat down. I then leaned in and tried to position my eyes directly over the edge of the table. Before the shutter tripped I just needed to put on an expression that didn’t make me look like a total dork, no easy task. I eventually ended up going through this series of steps about ten times to get a few frames that I liked.

A couple of things that I particularly liked about this frame. I am looking off camera which seems a little more natural, and I only have a half smile, making me seem approachable but not too dorky. Also, this frame looks good as a horizontal (how it was shot), or cropped as a vertical or square…

Jason Noffsinger Self Portrait This is something important to think about when you will be repurposing the image across the web.

You can view the image “in action” over here on my About page, or on my Facebook fan page.

Tech Info:
Nikon D70s
Nikon 50mm f1.4
ISO 200, f1.4, 1/1600
B&W conversion in Adobe Camera Raw

Arvada, CO | Baby Portrait | Smile, It’s A Holiday Weekend!

Smile everybody, it’s a holiday weekend!

Let’s kick it off with a picture of a happy baby. Check out those new teeth.

This scene was photographed during an at home portrait session in Arvada, CO. All of the light was provided by large windows to camera right, and a smaller window just out of frame above the baby’s right shoulder. Fill light was provided by the window light bouncing off of the rest of the walls in the room. Fast film (ISO 1600) and a fast lens (50mm f1.4) let me grab this shot while keeping motion blur to a minimum.

You can click on the image to see it larger. Enjoy…

Tech Info:
Nikon F100
Nikon 50mm f1.4
Fuji Neopan 1600
Processing and scanning by Richard Photo Lab

Arvada, CO | Documentary Family Pictures | At The Bowling Alley

I love to go “on location” to shoot family portrait sessions. When you can get out and do something, people start to have fun and interact. This interaction makes for much more natural and spontaneous pictures. When the natural location is coupled with available light photography (no annoying flash pops), subjects tend to open up and let me document who they really are. The resulting pictures tell a much better story about the family than a studio portrait ever could.

Below we have pictures from a trip to a local bowling alley here in Arvada, CO. Everyone had a great time, and I was able tell a story about the family and how they interact. Even though bowling alleys are not exactly know for their great light, I was able to push my black and white film and use a fast lens to capture these moments, and I think the grainy look really adds to the authenticity of these images.

You can click on any of the pictures to see them larger. Enjoy…

Tech Info:
Nikon N90s
Nikon 50mm f1.8
Ilford HP5 Plus – pushed 1 stop (ISO 800)
Processing and Scanning by Richard Photo Lab

Northglenn, CO | Senior Portrait | Breanna – Westminster H.S.

Breanna was a great subject to shoot. She is at that cool point in her life where she is comfortable in the present, but thinking about college and her future. Her whole life is ahead of her and she is excited about it. That is what makes senior portrait sessions so much fun.

I blogged the digital pictures from this senior portrait shoot last week. Below are the film scans by Richard Photo Lab.

I think the film scans are really beautiful. In color, digital files tend to look sharp and contrasty with punchy colors, while the film scans look softer and more pastel, almost ethereal. In Black and White, film just looks right. The blacks are punchy and highlights retain detail. Love it!

You can click on any of the pictures to see them larger. Enjoy…



View the entire session and order prints here.

Tech Info:

Color

  • Nikon N90s
  • Nikon 50mm f1.4
  • Fuji Pro 400H
  • Scans by Richard Photo Lab

Black & White

  • Nikon F100
  • Nikon 85mm f1.8
  • Legacy Pro 400 (AKA Neopan 400)
  • Scans by Richard Photo Lab

Northglenn, CO | Senior Portrait | Breanna – Sneak Peek

Here is a sneak peek of a Senior Portrait session that I shot this week at E.B. Rains Jr. Memorial Park in Northglenn, CO. Beautiful (and smart) young lady, cool locations and great light – what a fun afternoon.

These are just my digital “polaroids” from the shoot, but they looked so good I wanted to get them online. I am super excited to get the “real” pictures (shot on film) back from Richard Photo Lab.

Click on any of the images to see them larger. Enjoy…

Note: I will often use the digital “polaroids” to show my subject how everything looks before switching over to my film camera.

Tech Info:
Nikon D70s
Nikon 35mm f2 & Nikon 85mm f1.8 (against the tree)
Shot raw files and processed in Adobe Camera Raw (for CS5)
No Photoshop retouching or actions

Yuma, CO | Documentary Portrait Session | Toddler Shoes

When working on a documentary portrait shoot, I always like to keep an eye out for the little details that can add depth to the story and will work nicely with the more traditional images in a session album.

In this case, we have a picture of a little girl’s worn out patent leather Mary Jane’s. You can tell these shoes are well loved and were not jut put on for the portrait session. In other words, they are a real part of this little girl’s life; So even though they may not be pretty and perfect, they are important to document all the same.

Click on the image if you would like to view it larger. Enjoy…

Tech Info:
Mamiya 645AF
Mamiya 80mm f2.8 AF
Ilford HP5